{"id":5617,"date":"2026-06-09T12:07:58","date_gmt":"2026-06-09T11:07:58","guid":{"rendered":"https:\/\/gonzalobartha.com\/?page_id=5617"},"modified":"2026-07-13T21:31:26","modified_gmt":"2026-07-13T20:31:26","slug":"cv-artistico-gonzalo-j-bartha","status":"publish","type":"page","link":"https:\/\/gonzalobartha.com\/en\/cv-artistico-gonzalo-j-bartha\/","title":{"rendered":"CV Art\u00edstico \u2014 Gonzalo J. Bartha"},"content":{"rendered":"
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Education<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Industrial Designer<\/strong> - Faculty of Architecture, Urbanism and Design, Universidad Nacional de Mar del Plata, Argentina
Analog Photography<\/strong> - Independent training in photography since 1990, Buenos Aires and Mar del Plata, Argentina.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Teaching<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2008 \u2014 Photography<\/strong> - Faculty of Architecture, Urbanism and Design, Universidad Nacional de Mar del Plata, Argentina<\/p>\n

2007-2015 – Photography Workshop<\/strong> Instructor, \"Capturing Digital Images\" Workshop \u2013 Dr. Arturo U. Illia National School, Universidad Nacional de Mar del Plata, Upper Secondary Education, Argentina.\u00a0<\/p>\n

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Background \u2014 Collaborative Design and Art Project<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2006 \u2014 Pandora's Box \/ <\/strong>Vision Sketches for an Idea by Abel Robino Galerie Jo\u00eblle Poss\u00e9m\u00e9, 46 rue Trousseau, Paris, France<\/strong> <\/em>(10 February \u2013 4 April 2006). Collaborative project featuring texts by Jos\u00e9 To\u00f1o Mart\u00ednez, notes and sketches by Abel Robino, and object design and production by Gonzalo Bartha. Documented as a work in progress in La Pecera<\/em> No. 10 (Mar del Plata, Summer 2005).\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Solo Exhibitions<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2021 \u2014 One Subject. One Us <\/strong>\n - Virtual photographic exhibition. Librer\u00eda & Espacio Cultural El Balc\u00f3n \/ Secretariat of Communication and Public Relations, Universidad Nacional de Mar del Plata. Presented as part of the University's 60th Anniversary. Mar del Plata, Argentina.\n2020 \u2014 Calcareous: A Space of Patterns and Myths <\/strong>\n - Exhibition at Espacio de Arte Gustavo Teruel, Mar del Plata, Argentina. March\u2013June 2020. The opening was affected by the beginning of the mandatory COVID-19 lockdown.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Group Exhibitions<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2003 \u2014 La Flor<\/strong> Multidisciplinary group exhibition (Photography Section). Centro Cultural Villa Victoria, Mar del Plata, Argentina.<\/p>\n

2003 \u2014 Panorama of Mar del Plata Photography<\/strong> Group exhibition. Sal\u00f3n H\u00e9ctor Agra \/ Fotogaler\u00eda Casino Central, Mar del Plata, Argentina.

<\/span>1999 <\/span>\u2014 Details <\/b>– Muestra colectiva. Galer\u00eda de Arte Clar\u00edn, Mar del Plata, Argentina.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Awards & Recognition<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2001 \u2014 14th San Crist\u00f3bal Salon<\/strong> \u2014 National Photography Competition. Distinguished Participation. Rosario, Argentina.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Active Series<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Morphological Patterns<\/em><\/strong> \u2014 A modular photographic series initiated in 2015, based on the transformation of photographic fragments through rotation and mirroring to construct autonomous visual structures. The project is organised into conceptual chapters. Chapter I \u2014 Structure<\/em><\/strong> comprises 10 black-and-white works (TM-I-01 to TM-I-10), while Chapter II \u2014 Language<\/em><\/strong> extends the investigation into colour through a further 10 works (TM-II-01 to TM-II-10). All works are pigment prints on cotton paper, 30 \u00d7 30 cm, in an edition of 7 + 2 Artist's Proofs (A\/P)<\/strong> per work.<\/p><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Publications<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2026 \u2014 Interfascze<\/strong> \u2014 Ensayo te\u00f3rico. Tangram Editorial Free. ISBN certificado.<\/p>\n

2025 \u2014 Morphological Patterns<\/strong> \u2014 Libro de artista. Tangram Editorial Free. ISBN certificado.<\/p>\n

2025 \u2014 Abstractions<\/strong> \u2014 Libro de artista. Tangram Editorial Free. ISBN certificado.<\/p>\n

2025 \u2014 Un sujeto. Un nosotros<\/strong> \u2014 Libro de artista. Tangram Editorial Free. ISBN certificado.<\/p>\n

2025 \u2014 From Street Level<\/strong> \u2014 Libro de artista. Tangram Editorial Free. ISBN certificado.<\/p>\n

2024 \u2014 About Chess<\/strong> (Revised Edition) \u2014 Artist's book. Tangram Editorial Free. ISBN.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Conceptual Framework<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Interfascze<\/strong> \u2014 A visual research system developed since 1995, investigating how artificial environments structure perception and, through it, shape cognition, identity, and behavior. It articulates three interrelated dimensions of the photographic image: Fase<\/strong> (material trace), Face<\/strong> (surface and code) and Faze<\/strong> (transsubjective system).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Professional Contact<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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For enquiries regarding artwork, exhibitions, and institutional collaborations: contacto@gonzalobartha.com<\/a><\/strong><\/span><\/p><\/p>\n\n

\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Formaci\u00f3n Dise\u00f1ador Industrial \u2014 Facultad de Arquitectura, Urbanismo y Dise\u00f1o, Universidad Nacional de Mar del Plata, Argentina.Fotograf\u00eda anal\u00f3gica \u2014 Formaci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5617","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/pages\/5617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/comments?post=5617"}],"version-history":[{"count":35,"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/pages\/5617\/revisions"}],"predecessor-version":[{"id":5858,"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/pages\/5617\/revisions\/5858"}],"wp:attachment":[{"href":"https:\/\/gonzalobartha.com\/en\/wp-json\/wp\/v2\/media?parent=5617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}